|S19795(S2068)@Katana signed Higo-no-kami Hata MITSUYO||NBTHK(Tokubetsu Hozon)|
|Shinto early Edo period (Enpo era/circa 1673-) Owari
Length of cutting edge 70.4.cm Curvature 1.6cm Width of base 29.8mm Width of Yokote 19.5mm Thickness of base 7.6mm
|Blade construction: Katana at the Josun interpretations in harmonious manner designed for the swordsmanship of
Owari Yagyu-Shinkage-ryu school. Shinogi-zukuri, steep Iori-mune, Harmonious ration of Mihaba to Nagasa. Kasane is thick, shallow center point curve with moderate degree of tapering
from base to the compact Chu-Kissaki.
In particular, the Shinogi-suji is rather on higher side that shaves off volume toward the Mune. (click HERE for higher resolution image of the entire blade)
Forging(Hada): Forging is fine Ko-Itame-hada with conspicuous Itame-hada indications. Flowing ware partially appears from base to the middle. Steel gives off darkish blue impression to cover with sparkling hard metal martensite granules of moistened Ji-nie to generate Nie-utsuri on Hira-ji surface. Delicate lines of Nie so called Chikei activity wells out from an abyss of forging steel.
Temper(Hamon): Hamon is medium Suguha of a bit on Nioi sided metal granules base, slight undulating Notare indication where works with sparkling Nie of martensite granules with indication of long lines of Nie Sunagashi, bright curved thread-like areas of Kinsuji, Hotsure and Niju-ha activities. In the interior of temper, there works with Noi mist-like crystalline area.
Temper of tip (Boshi): Boshi forms refined wide Suguha then medium circles turn back.
Tang(Nakago): Nakago is in UBU original. One peg hole. Katte-sagari (slightly slanting left) filemarks and back ridge of Nakago is flat with Katte-sagari filemark. The signature is located in front along Shinogi-suji, starts with an official district title Higo-no-kami ìãç, pseudonym of Hata ` and smith name MITSUHIRO õã.
MITSUYO (or another pronunciation MITSUSHIRO) õã with the pseudonym of Hata `, surname Ito É¡ is said to be originated in Yamashiro. He stayed in Seki town, Mino domain then was adopted into E'chu-no-kami SADAYUKI zçåK in Owari but somehow or other he broke off relations to be independent.
Fortune made him to work exclusively for a great swordsman Yagyu-renyasai TOSHIKANE ö¶AçÄµï then later learned from Tsushima-no-kami TSUNEMITSU Înçíõ by his mediation. He enjoyed an official district title of Higo-no-kami ìãç granted by the Imperial Court during Kanbun era (1661-), lived in Nishi-kaji-cho (now Nishiki-2-chome, Naka-award, Nagoya) then moved to Minami Monzen-machi.
Well-known work by Hata MITSUYO - a wakizashi named Oni-no Houcho SVïwas exclusively made for Yagyu-renya TOSHIKANE and is his most distinguished work with great pains and also the most famed Daisho-set of Kago-tsurube âÄÞr and Sasa-no-tsuyu ùÌI had been owed by Yagyu-renya TOSHIKANE in his lifetime.
In Tokugawa Art Museum collections, an odd shape wakizashi work of Ito Higonokami Hata Mitsuyo for Yagyu Toshinobu ö¶, tested to vivisect two bodies É¡ìãç`õã@d·ñÈ´^E@ö¶V and wakizashi of "Gou YOSHIHIRO" reproduction ½`O the work of Tsushima-no-kami TSUNEMITSU Înçíõ, both have been treasured of Owari Tokugawa feudal clan and also Owari Yagyu swordmans school.
The number of extant works by the swordsmith MITSUYO õã is comparatively small because they were only made to order of Owari yagyu swordsmanship.
Copper ground silver foiled Habaki collar, preserved in Shirasaya plain wood mounting.
Good old polish/Condition scale: excellent (using a scale of mint-excellent-very good-good-fair-poor).
referece data :
Iwata Atou, Owari Tokofu, Nagoya board of education
Treasures from the Tokugawa Art Museum No.3 Swords and Sword fittings, 2000